Lessig's key argument in the introduction as I see it is that we are far too hostile with our approach to copyright infringement, with the rhetoric of "war" we invoke against piracy. He claims that copyright law is outdated and that our approach to certain behaviors is unreasonable, unfair, and useless.
Lessig describes the RW culture as one of divergence, one where all parties have agency and active creation of content is done by all. RO culture is one of complacency with professional creation. Individuals rarely create and a select few are chosen by popular culture to make content. It's important to Lessig because he feels that the current copyright laws suppress and even criminalize most acts of creation by amateurs, and vastly promote RO culture. He shares the romanticized view that RW is superior and ideal.
He brings Sousa into his argument because he feels that Sousa's promotion of "amateur" creativity and limiting the reach of copyright were very useful and can have profound implications in today's landscape of creation. Lessig feels that the copyright laws no longer apply to today, because a new generation of "infernal machines" promotes a RW culture, and copyright restricts it.
Brief, but on point. A bit more about the Sousa connection would've been cool (just curious what you would've done with it). Overall though, good job.
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